I get why you wrote the hub that way, but it’s not going to score well.If you want it to be judged as creative writing, then there are voice issues. If you want it to be non fiction then there are substance issues. I guess somewhere along the way, we get it ingrained into our system whatever fits the pattern is right, and others are wrong.
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When a building is destroyed by fire, there are certain losses that even the best insurance policy cannot possibly replace. And that is surely true at Brazil’s National Museum in Rio de Janeiro. A fire destroyed much of the 200 year old building and much of the artwork inside.
And you should see our beaches and our Univeristities during summer time. So many attractive men and women who are average in their Country btw walking around wearing almost next to nothing. The women always have a smile on their lips and maintain eye contact when you notice them, and the men are always so friendly.
Content_selector=consumertrends”‘Taki 183’ Spawns Pen Pals,” New York Times, July 21, 1971, pg. 37Trebay, Guy. Taking Hip Hop Seriously. But it doesn’t makes sense when me and my friend skipped the first box and ran down the middle of coal mine. What’s that 3 5 seconds max to sprint from spawn to under the cat walk? And they were already there with the launcher. So how can he heal at the beginning? 3 5 seconds is not enough for someone to hurt them selves and him heal etc etc.
Over the past five years, Owens has charted a dramatic transformation in her work, marshaling all of her previous interests and talents within large scale paintings that make virtuosic use of silkscreen, computer manipulation, digital printing, and material exploration. Wild blown up brushstrokes push off finely printed appropriations from newspapers and other media sources; actual wheels or mechanical devices like clock hands spin across a painting’s surface; images shuttle between the physical and virtual worlds to arrive back on canvas magically transfigured by their journey. In a 2015 Berlin exhibition, Owens precisely positioned a group of five, large, freestanding paintings in a staggered row so that from a specific vantage the writing on their surfaces resolved into a unified image in the eye.